The Guardians of Eastgate

Book 1 of The Seers Series

Should You Edit While You Write?

Should You Edit While You Write?

Many first-time writers wonder if they should edit during the writing process. The simple answer, and the resounding consensus that you will hear online and in books, is NO.


Writing is an art. It is a creative process where you bring your story to life.


Writing is an art. It is a creative process where you bring your story to life. Editing, on the other hand, is more of a logical and methodical process, where you are looking at things like sentence structure, grammar, spelling, and the like.

I have read articles that claim that writing and editing use different areas of the brain, and if you try to do both at the same time it can be detrimental to the creative process. I have read other articles that say you actually use both the logical and the creative when writing.

I believe that the latter is true, but that the importance lies in what you are most focusing on in different stages of the writing and editing processes.

The general advice…is to put your nose to the grindstone and focus on getting your first draft done before moving on to the editing process.




The general advice is to put your nose to the grindstone and focus on getting your first draft done before moving on to the editing process. Of course, you are going to use some logic in plotting and structuring your book, but world, character, and story building – in other words, the creative aspect – will be your priority during the writing stage.

Once you go back to edit, you are going to focus on the details, such as spelling, grammar, structure, and so on, to make your creation as accurate and appealing as possible. It’s the cutting and polishing of the diamond you’ve just made.

There are certainly many benefits to approaching writing in this way. There will likely be less time to spend on worry and self-doubt as you just get your thoughts down on paper. Your mind will be focused on the story itself, thus allowing the story to flow naturally.


Is going back and re-reading the same as editing?


But what if you’ve been away from your book for some time due to work or family responsibilities or illness? Should you go back and read what you’d written previously? Is going back and re-reading the same as editing?

It depends on what your focus and goals are when you go back. If you go back and pick at the grammar and look for plot holes, for example, you would be venturing into the editing area. Try and stay away from the urge to do this before the first draft of your manuscript is complete.

To use myself as an example, I have a full-time day job where I often take work home with me. I also have two young children. There are times when I have to be away from my work-in-progress (WIP) for some time. Because of this, I will often go back and re-read sections of what I have written.

I do this to get back into the world of the novel, to re-acquaint myself with my characters, and to make sure I haven’t forgotten anything that I could accidentally contradict going forward (this can happen more easily than you might think when you are writing 70,000 words plus).

What I don’t do at this point is any line, content, or structural editing. I don’t nit-pick the grammar, fact check, or edit the content. I will leave these for after I have completed the first draft.

Of course, it goes without saying that everyone is different, and what works for most may not work for all. And that’s okay. The general advice, as I said above, is to approach the crafting of your story and the editing of your story in different passes, and this seems to work well for me.

In the end though, you need to find a process that works for you personally, and you will find it with time and practice.


In the end … you need to find a process that works for you personally, and you will find it with time and practice.



*All Images in this post are free photos from:

Sherry Leclerc is a science fiction and fantasy fanatic who lives in magical realms where swords and sorcery,

action and adventure, seers, shifters and sorcerers abound.


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March 1, 2018

The following is an interesting article by guest author, James Gault, and was originally posted on The Voices of Literature website:


Concise Characterisation

Name of Books :
Hard Times, by Charles Dickens and Ogg by James Gault

The extracts:
The beginning of Dickens’ Hard Times, where we hear Mr Thomas Gradgrind’s speech to the pupils of the school.
‘NOW, what I want is, Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else. You can only form the minds of reasoning animals upon Facts: nothing else will ever be of any service to them. This is the principle on which I bring up my own children, and this is the principle on which I bring up these children. Stick to Facts, sir!’ 
from Hard Times by Charles Dickens

Ogg and Antonia have been transported in time and place to a shady night club in fifties USA.
A squat balding fifty year old tuxedo with a cigar stood before them. 
“You havin’ a good time?  I ain’t seen you ‘round here before.”
“We’re from out of town,” Ogg drawled, and Antonia choked on her sparkling water.
“Well, you sure picked the right place for good entertainment. I’m Harry. Harry Biaggi. This is my joint.  D’ya like it?”
“Well, yeah, Harry, I do. It’s a real nice place you got here.”
“We try to be classy. Howd’ya find us.” Harry snapped his fingers as he said this and a bow-tie appeared and slid a seat under him. He sat down.
from Ogg by James Gault

The explanation:
If we read the opening few pages of Jane Austin’s Emma we see a common way for authors to introduce characters. Emma’s family, biography and character are presented to us in intimate detail, and before we start her story we feel we know her like a good friend already, and we can sympathise with her successes and failures and feel the delights and angst which follow. For this particular novel, the detailed early establishment of the character is important because the author needs to arm us with the tools to judge Emma.
This kind of approach to characterisation is out of fashion now: it slows up the action and needs inspired writing to keep the reader’s attention, and is especially distracting for any but the very main characters.

Nowadays, we expect to discover our characters rather than be asked to judge them. We expect to get to know the characters slowly as we read their story. We form first impressions, then we develop these impressions and sometimes we misjudge and need to correct our assessments. The discovery of the characters is as important to us as the development of the plot.  The characterisation is drip fed to us, and the personality of each individual has to permeate each part of the story.
For protagonists that first impression is of prime importance, while for minor roles it is the only information we get. So we expect the author to imbue our first meetings with the characters with indications of what kind of people they are: by what they say, by what they do or by both.

The excerpt from Hard Times is only six short sentences of dialogue, but how much does it tell us about the speaker? He is self-opinionated, he at least claims to be rational, he expects to be listened to and obeyed. He speaks in short sharp sentences, in commands and assertions. No debate is permitted. We don’t know what he looks like, we don’t even know his name, but already we don’t expect we’re going to like him very much.

In the second extract, all the elements are employed to create an impression of Mr Biaggi: description, dialogue and actions.  All of this is condensed into a short dialogue. Biaggi is presented as middle aged and overweight but well dressed. He has the strong accent of a man from the gutter who has made it to the top – others jump to satisfy his every wish. But he also has an aura of feeling inferior: he is anxious to please and be liked and appreciated. In the novel his is a walk on part, we never meet him again, but he leaves an impression and sets the tone for what follows.

The point of both extracts is to note the denseness of the character information which is presented at the same time as the plot is developed. The reader has to work hard to catch all the points, but the ongoing development of the story never flags. This is what I am calling Concise Characterisation.

Contributed by James Gault


James Gault

James Gault is an author of short stories, novels and English Language textbooks. He lived, worked and taught for many years in Prague, but now lives and continues to write in the South of France.

He also runs the blog Vox Lit, where authors post comments by their characters on aspects of real life.

His latest novel, The Redemption of Anna Petrovna, is due for release shortly.


Visit James Gault on Amazon Author Central:

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About The Guardians of Eastgate: Seers Book I (Second Edition)



An ancient evil threatens the future of the realm of Sterrenvar. A race of people called seers has appointed themselves Guardians of the Realm, guarding the safety of their world and all the people in it. Maelona Sima is one of four seer champions tasked with protecting the four keystones from evil forces that wish to destroy them, thus leaving an immeasurable magical force free to be used against the realm’s inhabitants. Yet Maelona is more than a seer. She is unique in her world, and she is the best hope of survival for the people of Sterrenvar…the very people who once hunted down and killed many of the seer people out of fear and mistrust. Protecting the keystones is the first line of defense against the evil sorcerer who wishes to enslave the realm. Can Maelona, a guardian of the keystone at Eastgate, and her friends Blaez, a wolf shifter, and Gareth, a human prince, bring together their peoples to save Eastgate from destruction in this first book of the Seers series?




Book Signing Event! 

Where: Book Express, Cambridge Centre Mall (near the food court), Cambridge, ON

When:  Saturday, March 24, 2018 at 1:00 pm.



Book Launch Event! 

Where: The Bookshelf, 41 Quebec Street, Guelph, ON

When:  Saturday, April 28, 2018 at 4:00 pm.

The Guardians of Eastgate is now available to purchase locally in the Waterloo and Guelph regions at the bookstores below. Click on the images to visit the store websites:


The Guardians of Eastgate: Book 1 of The Seers Series, has won a Literary Titan Gold Award!  Check out the awards page here.













The Second Edition of The Guardians of Eastgate, Book 1 of The Seers Series, is now available
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Come wander the magical world of Sterrenvar, where swords & sorcery,

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